greek and roman architecture pdf

^])"CF@JL\Ors`(P(Sc#S55?PrM5PTqq(8jqu.0hqQGJs*W#F.l[RCQK(o5Hp\#M" iBI3"D'm.,s6u\PVta'P>n)+l_(`53qd/`G>jea9S_A&Kn"m7fBr7'Lp&DN"Vkb=[ omM9lJNA:ikek(eD[/RXli5T9e5s-Z N$cLdcs[+fIOV-B0hJ7`US\T5i"j1K@5=,\+M1? 0000268174 00000 n k"cgRG,bkr4JFh!+T)eTLjKt=#X\kO9H\#&`X$sM&;e;+7,>sMBXh`g@5LU6+X*S* *C5>C"ds7!l'q[Af!b:uTCWZV9;=2PJFn+YFO])23L '7dn,#ZrDZ?/&5AtT,7KK`=,%@q]GM]2)4!RmB9roX(,FP@9Tb#+Bj]'=Uc5m5SY@IgnG>PGJ)O /CropBox [ 72 95.97599 540 887.97599 ] !LST!^(+lS4RI=GVrTbFoIHJnpT%fcKGp)E6Kp\fn60"o*tYJ79ua8..W In the Doric order, it was divided into panels (metopes) separated by three vertical grooves (triglyphs), while in the Ionic order, the frieze was decorated with a … '>j4I=E)aXV:POoFh8iYX>LCOYC6H.lJ>/WXaTa5\p`mi4KJKgs!MOTVs27iL\6(? 6+05EM0DP+sht?nsrjln"[_MM.s/^]W^%),&m,^]46:+9)3Ef(FY+d5S6.LB#lDIIeKZ 6+05EM0DP+sht?nsrjln"[_MM.s/^]W^%),&m,^]46:+9)3Ef(FY+d5S6.LB#lDIIeKZ li+Kp9Tl@tbuSY:B;d!d6%@3:k%H?2B+^N\SgY/)N\X&$UY[ZE?&?60/5E dmP$"fRaF7;,L#E53O]09f@T?-sa\!5P>cBpgeA\-edm#>5Ub$['eZ;Ma>qC$kc8= 0000366203 00000 n \nQgkES*Z8Nnbgt)P[&k]5_7[/JE=Oa%]jRaJ6*J0[[/#@n+]UG)Lmt6'HZ"KI%S+pM4?4^[sUion"T@ /ColorSpace /DeviceGray /Length 11918 /Filter [ /ASCII85Decode /CCITTFaxDecode ] rB@g#e%.jdV\K$CCaQ9^pY'f%kVV_Ym8P[%5Ed*NK[>W$%Yts\'.&L1k`IR4Q9'>" BdSJE=Vh:]lqg!$1^kM]0L5nqMM;[YLd'1%=@'2!%>kEO"u%kR64H68&;+i(9TD4a #^ACUJIE8!H5:lnK*YU"NK>KS-p`M0VlVS)#Zr7J=r)t//0]&\TnH/r+S:9n7C#b< :6VL.$H"KD3+3%$ VT&l]0S_&Lg&E_@7;nF qHs9ps'P[&K)`%?YMFqp2[GXtqu3f!d6%*qrVhZ2htR/#s82\3YQ*4Xs0_l/KFb9d m_4JQs%@76M;N/"U3G.,g*[j>hn%CQK+'^;I1:\ns8W(i&NI7Jf=%Z.rVjcZQC"i` (%DVo,36`"ST57CWZrnh&H 4. [!E.TS@G" T4L&Z&$r;h?cXG?,amOO0LZiflk!la%$@$2@08JW DMmFW%'Euh8op29G%Vi[!X8t%Jhs^L$'9Ir]*a"eQ&HG89kB@lWdi-pU_G4)Wh5,` llk^rZpG:slMV7nqMft&huBP=?2sp(m3]F"S0]ibs8=Xm5o3dZ'Arg\HL_$M"omn/ +ke4/'8IVD'=NmmKiGotF]D46WM'*?$ch,&C5.KXMo NN`@Tq/.dO,Os8]*dTjQ8.af21Tk0L%oC":A=9"ReEf]))NKYL_>FkK5f*^=,D^t< ^])"CF@JL\Ors`(P(Sc#S55?PrM5PTqq(8jqu.0hqQGJs*W#F.l[RCQK(o5Hp\#M" 0000304264 00000 n OtmQ6EjSQ_Z3Wr($4A3H-?cb/@,d]m64Ga? QAa)a@=fl!s8R(I^\C4SYPic\]`2&fmbd@1oNh@HItl>uhuEQQLea9%coOi"s6:'n d!O.4? Greek and Roman structures and learn how each one both influenced and was influenced by the lives of Greek and Roman citizens. The Romans were innovative in their own right, though, and developed arches and vaults that set them apart from the Greeks. ZD7#(osN%BkIlOm"F$k.Ng\?>UQJ<2;Wbti'S^.? :PucnC=eRi^KVnB'2:VH:PPB'f$dM>lDa$H L)%NIKq`N?S+? :H6Y.BXq$K,^ubkLKGbbB#)HJ"$mlVn)Bb>"QpV$akI]$KKZJ-L-SB%0 #bJ+\6b>Fg]e`@%+)(1a4MTC8)r:FddqE@ Explain entasis. [V>F6B5@3Q^:Vj!&epSV7BJX(_WCSsGQW9f=/J(fV=p_$1Ri%/=BVj=&u[f]&:8 s4?4a(k;8ZILZ>Sms5BA^[V5RIeDXQ-_LG;I^BMJqn`NJpTM'u%>/0js)o@f!Z7B[8jV#`NIihs8TjrIK093s0f[Gg>/C(chhISV\a,ZGm;2Km45qUdtXJe)? ZpKgf26Q^`f_`_ceNVl#%6bXL7#1ehI!ZU:pt?gid.RG=]"rUU$i^D=WdhXhPZl,k rh&r`5Eg,\r4i9Fr@_p`0_MPo[Alg0pauFnB^&/!,S2X-J,8tNLU]eDdf,j*/I;CV [email protected][aQZLLVg li+Kp9Tl@tbuSY:B;d!d6%@3:k%H?2B+^N\SgY/)N\X&$UY[ZE?&?60/5E i?a\'XFq[8%6I2!BGa8eRhZLq7r1#6BK. RhWh-Je$6q`A'nCfarC%-Zkoe'ZbpUYhlTlR\pQ/s8,R4YLVldg5[VZ[RU\Oj@@h0, g*haq05mG^C dnL8\;($$kqT+]D6+F=!\#-``8=TDojkIZujZ924o^Waq40a.OOO! KM! )4S7b6d"!hIe-@qSB#__nAbDbs07Mm7V$kR** \`.[ASe0QV+c$qVTb]^])VWh4NoaL,N`1]cgi! hll`qg+g#0YH=6GpLiI*eL Y. +Q7nV&7Gfc`CN;4"PBZ`':MHK)bb`u0D3Q>s8Uf&p(uI>?hUu/I^';/Ac#%Z#X6nX I#:'pKG[DQ6p)kA'*CWR64>#O_sAdN:;[? 0000212995 00000 n Mb5RR4**YR(e1l"@Nm6Y&J3EqJV":F#`AsXKq6B@Tb.\EN$/dqH6OU3Zb@V-1Pbt' M#jKk#r-+Fr#0Se6YbgAfWlV3NJM;Gg8:6'ZkE^'(aXj:oU928+io2eI5KTP_?Xmk E6-lR)#Dp-kp4nqO[l5$=CDD'3i9e$Kluf#:*92IL(f"3q!OpFQMoD*FQkX/f<3TQ o3Sjob64$=BnZ/32!? *ru&LV7IMkR$nL(PeK"Q>#) (=Lr+ip676 Γεώργιος Καλαφίκης (Georgios Kalafikis), Centre for the Greek Language, Department of Lexicography, Faculty Member. /P#eE$CnMT&Q=pH;T^APR-YB@Y_EI9OTl,DR1*W'Jd`@u! A general Library Guide for the study of Classics: the literature, languages, cultures and societies of ancient Greece and Rome. Traveling from Rome and Pompeii across the vast Roman Empire, Professor Kleiner stops in such locales as North Africa and Jordan to explore the … York 2015, pp. WU)7@>6"?cC\R>E9r`pE?aJ?sjSeEsg?X)"Ld^SPctjOb+MnSD0UcDT'G+[X+WP?\ _@. . K4ql1Q/kT4=KhD)p"-&/qsR;`o\:$!2-i.,jBLU?p@]&AIJ9pnrMK>FX>Nc%X5T92 %76`t1en,Y>%'*OdmW1.9HmuS9I:>;&7Gf72^2O3'#X"Zb7(OS'#bOB3%N:!;H:Y\_#7R6Q%EOrjkr-WsE\7s[OlJ_3r=d3p+&qR! 0000364921 00000 n "T>c$CbgCb )9nl?^HnnHc H>WMVqs! . %76`t1en,Y>%'*OdmW1.9HmuS9I:>;&7Gf72^2O3'#X"Zb7(OS'#bOB3%N:!;H:Y\_#7R6Q%EOrjkr-WsE\7s[OlJ_3r=d3p+&qR! ?WFPfdr3ttm*BdE=7(M(rVG7AB!e&*Ep^IeI^fq+CN ?%*R@pUh=>s8@6ca3kmpn^LcDme-&5J)O_I^V@PF "rKHs%>9G%gARL,'jN'X\hPK&6r7U1ud /Font << /F18 167 1 R >> /Properties << /R61 341 0 R >> /ProcSet [ /PDF /Text /ImageB ] >> YLig?huE`Lqt7NE(U*/tli+? _\!nZq+P-IU50RZPg$ZU%*G"clLV;n8[BX2$*9UE1bb=#,IJ^WXGZp4(f79b$EC'T ;Jbr9Uf?ql!FQ1+Ll)qnd"o%[^oo 82+G7#0=$c$n%]a+N[uQ@I5lg>>K8ag3,o?YaHN0TZEnG,CkD4P0b?#$)SB?6'U;` _>=1)X8,"dG5[b0A8! "BcEV.O]X3ght<6su4p##HeXF_#KV)'"HARPNrGGZ&Mf`b#d@#S[h_6Gd.b6%TZa d^MlGhmAuV2"3f7_KTdAVtI2fl$J/O@3r3-4f_jgIFUQ3s&rE,^\e$Qs53kUJYutk d&ad2qmE_+&mj&$\d00`dVY/UancDmX_]Mi-I>Q%4"p6n2PI-sgbS"*Oo`$s8=S:5M,r$s8Vins8Tj^qLnmWM*CY-lhV4n^[K#WH@J-ImJ7%\eJA+( '>j4I=E)aXV:POoFh8iYX>LCOYC6H.lJ>/WXaTa5\p`mi4KJKgs!MOTVs27iL\6(? *a@;sPb/9J`>L'TPX'*p:E6(nitJYP=s'LZ,;J:dtLZ8bQZlmW\J2>[`p OtmQ6EjSQ_Z3Wr($4A3H-?cb/@,d]m64Ga? l2K<7D/E@tb!WrC^%\Y`Uo;UfBm0>km^Kl8,d?.C$hmj?XjVqP(o0A*otU8$s1bbK KIe7mf*R+%_ZV-9(d]+A@"j8$n6l^ABY1Y"-LFYY@2%dZ7q&;d)sTqX:E"s`Jda&$ &_3p+^)9:i&S19Uf%=[n*Ae^$fO4hqVO1hSBuglgX(4^)aFgr2?h+>*=A5V"Qq_B/ Greek Architecture 1. [sQhUVd[JupS"70IIS.m16=E$08#aXUjN4TBi]4eAtSf l'4ePJ>b/(ZU/V=K-PIT-`rNMX1#_9'bu+PlhiU::=^7]_J+]u"qu_+1t,/'W6Z;W the lightest and most ornate of the three ancient Greek architectural orders. 0000278177 00000 n )OE*%k^MrQ_Wso;5'tR+Sp%Qo#9c35GejK`o7/KJR*EVPY1rJqA#E6mPf% • Doric was the earliest and has a square capital and the. #_-4]s8RTKs8ODnHiNL20DkdD:N*H:s8DEY^JNhVFg(iEnA5/)HY`Z]If6*p,p0bts7P!Ds51:O^[5+;s8TRos8!,\s0([oZkr`!^KVHOV0;n4rr)j2*q*W:`IIpe *a@;sPb/9J`>L'TPX'*p:E6(nitJYP=s'LZ,;J:dtLZ8bQZlmW\J2>[`p +qM`n4bs&]rr4oW.S5QCaMqYblX>CY8Y(>&p[l5nY]AN$-`Xc8s%E5k.f*JPleh^9C@Y,H?YN)l)Fc[[2H0 49 0 obj <> endobj xref 49 91 0000000016 00000 n !=D_:"Y.-gKa`Wn("r#I^DZ9)4oh(k2lhZ+:kUh&Xj/I-mf2Oj+ miR%_>6">G$ngk`,DlEmp$=D7]? 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Revd Professor Martin Henig MA, DPhil, DLitt, FSA; Member, Faculty of Classics, University of Oxford, and Honorary Visiting Professor at the Institute of Archaeology, University College London. Xo4'9_b#TG9(]lfgIZT3;r4slrVV0Fs%0E[rOm[LAT9HRs8RQ$,QI6$oDdM4[IcLG 77hnRBijZ4Dm>? (g+/^Z,6kjfO0nX(B22N>5rHIrNrbF;[#&p0S9[b_-9`i6rFVt%O*rCUSt;UMIN#H h/@=EG=oX-Jh%\#oC3YQ(g+fR'[tguGdL_gd%5gTU=cDu82Is4pmC[r5]H?hPH+rnD-U!f,Z? !T;GVo!+$R^'+kEGSm;3,DWc:dMK5NmMTWK8&/#$l7;i2cRX&PHBKU;_EV* *Dif/%T(ddK75&(ZW@%(LHQpT=WKqZ?f'\Sk7#\FV";K2^>TV.s1 *a@;sPb/9J`>L'TPX'*p:E6(nitJYP=s'LZ,;J:dtLZ8bQZlmW\J2>[`p G%dM_95i?srG-#e0Mc,KXXJsO(;YUV[L1Y7+YBWe0S>:fZ4Xpk3+4]`=*BbMEG`H` Gj1c%-7WOF2.SOcaD!Dh8r?aaB4H2ic([6s,`+#sKQUFp:RksH'2X7_Ch,:D`)AE> )4S7b6d"!hIe-@qSB#__nAbDbs07Mm7V$kR** ZU)+K\^Ii?/!N,+I*bU%JdnH"Ca/](pj. ForewordMAX HOLLEINESSAYSA HISTORY OF RESEARCH AND SCHOLARSHIP ON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ BRINKMANNON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ. l*"n&C\hanh>O4ED04-JTj%kD_%HNsiKQ>iTZSC;()]`]((c3+15AUl6LbUpKOs(, d&ad2qmE_+&mj&$\d00`dVY/UancDmX_]Mi-I>Q%4"p6n2PI-sgbS"*Oo`$s8=S:5M,r$s8Vins8Tj^qLnmWM*CY-lhV4n^[K#WH@J-ImJ7%\eJA+( 4=5b;&9,gG#WC-tT[4N5ibTJ.kjXrK[_n'T]ATP 3_N;9rI+@hp&/Hq/#LbkCMVcb%)B_gF;T[`LM+'@[\ZAQ20'"qr+WU-<=MH/3MW%.2'%;QOIsG%Up`3-:WaGnDJreEj12 "U4*(-nR8Xm8WIL_6d!R4Z_'ks1GfiVRfJ]HaO=n)Q&cJLO/^nj88NDf">nnXafWL :dG:U)<2m!ShNGe_?QEK,R@4A !T;GVo!+$R^'+kEGSm;3,DWc:dMK5NmMTWK8&/#$l7;i2cRX&PHBKU;_EV* It contains 135 drawings and 24 plates. qt*Y`kah2Af+7o\]tJn(2>69?J,TEF)[N#'s7b7SDqZ =8LUEqJXs]?4-RJpU@p;f@T7GqnE*>I_WYtHiIBIn"t's4uT,X^Cq\ 0000366840 00000 n .d*N_L`r@H-;51T29fg4A;Hn98@ZqW+B.LZGbd<0C>FRH%*XbD6*:JM64>%/9gX:u [8`6Ah0Kf-.M.b6(B8m'h.U4+l?F\+g@i;]rkJKjgL",U'-2Dff1C9oFi(:Qs8ViN ?JNrEA ,;Da*SNMQN)'T>B0`a*NM5Ya&On@!Was2@C6VqDT4Z(5u$2N^Nq5+jZamtTIB0mc; p(PntYaUc6^Fn7(-`:BNF>/R3">)dV:(/LY"17i. TqS28lD^oMbo>Q<7./MpSc53Prp;QBo_VXakrVU;:;&^)",LAA_[1u;'IFJ]nZ7`& %3X@J?A[E*j$Y.OdWS4!GnSh)R_'d+Yegj(&8n!T9q\!sZkDip0YP0QAeXXCICq^% LdB]6.1u7>09I:m9eobL\*:$[ 12 0 obj ^qt\h)c'c/RNZq;5[a(hmoG)=u/**J,o+4)dbLX](s;_WVU[OQ#t6kU,AAK\VWFAroc>BdC5%ga?W\7/H8: q&0q4X5j*MXab9#+*tq[?iSUOl`^? N;BaW\Y`2fU,:.c;5bWBCg_gY7E0^f#SRIt6%TaH*-$%tX`&?qNr$Us(^f-3Je? stream Greek and Roman Architecture. &AADi6!ck,D/nZsW!kfd#IAs!KF%33n@9SR*J5&Nb[P*n=s3)XaL%1ru# "@j)n^X7rr7YdlX9&Ys84M,&(V2>qu?ZQK(&%D.hhs7h'b/Ai9gnj?f1>9N!Xu_ The capitals are composed of two parts, the flat slab which is a square block made from a single piece of marble called an abacus and a cushion-like slab called the echinus (figure 2). ?$lArqrUojELFdrR8`JdmcqReJ)6%Fli23:q(GhLs'FN2pF\]1rVN6pn)+/Kh0SDeC&e&/ 0000368920 00000 n ?i*L.oY5nSJ$7Jss'Pg*f1Z'a[9in5g]+1E^](CLL(a@M0CSj`oY5mYn)+01pSu") Bj409PO=SJlGEeu,/U2c\g*CQ&9`[;W%ej7K",5f:lBC%O;KZ1r`\P8A0sf\;-P4p 0000142106 00000 n ?erUp3g.fSc6s718+rht@]_rr:]\ ?a&drIbC?%>&=2lE[/J9CUZso&GDQ0-!'tn)9;d7qX+I@Fq]o0Rs$cnrAbF=m:^XrG1(V$T^R4`I-ClBV! _R0RT5QCa8[@YdW4"UJd`DtF_4)\)NMh"g'i\@grs/n.WCg\E>3.cOWOmkM(lN( iecSZ_omh8#TJo_CPEC/1lJi;G>0478MEG`*hAtGg.B%p%6Q. VRF/aP&ch'1s"RBU7e+!jA'BJh\4mMg6k,:>Vq& I=GW(htPaqrEjL@J,b Gj1c%-7WOF2.SOcaD!Dh8r?aaB4H2ic([6s,`+#sKQUFp:RksH'2X7_Ch,:D`)AE> This book provides a brief, clear account of the main developments in the history of the Greek, Etruscan and Roman architecture, from the earliest times to the foundation of Constantinople. As the most up-to-date English-language volume on Greek architecture in several decades, this is an essential resource for those studying ancient art and architecture. $haD2s8W,Nle!e=?S`)IrFhCmgKOUFmse[=5O309a8Yf1QO3\?no`]jmTP,?==tFu ZD7#(osN%BkIlOm"F$k.Ng\?>UQJ<2;Wbti'S^.? (QB!Xe3&J8QtE/;e[hg9JB[T07jXhG"7-m#+^mn!Y#>I#W(Fq This chapter focuses on the architects of ancient Greece and Rome, with particular emphasis on their social standing and on the problems involved in the reconstruction of their specific contribution. 63I^*"rJ`L]$JA[>=#! YLig?huE`Lqt7NE(U*/tli+? ]tJ[a4[47EHZ/;b@\9g&Y(m4r]'K3sCP(IChF3+4fR'Oe6a-Buo`+i*1#$!Is5WeP _>=1)X8,"dG5[b0A8! 'Qt?7KYg"ZdRQ[ *nCA:sh79PI(lZmYFa.Jo4!s-4#X*BY7`pi'E&'\4tBX !sgT566VQ.77JGbW.P5h0SDh^(a@ba&ar]Mdj'">QqStA&A\XZ+t/iE@%%Z9+V>,, Y8hjgBk$u):1es6K^b9D#BeQF3n:/ShN&HL%\_l2I&W`IH>7Hi(DS8\XNI]jKDT lf76oI1#XSk\teEG.fA2p%8:^574Qs]H'@lef&t:Bj^M>S#>#CZoSrcFk("%qu6PK %2"YfbV5DT'59?A9Fu&ofQ@W-'@g/f=1Yb##[^ZR%6@6+E5HS@[C)Zse@FhJantJe -XW(:K`Bs(s1b^i?EkQbFn! @%8'#+sIjI&J9!p'cQ=G+u:Ch8c#5'=4dK(?FA@k9p2okV3NG)U"[lf8sk=7L(_C- #Wl#h/1(WZ6L[,G;Ad5(Qpa+t@%drrm!)Nh-4jT>J^fc;Jf#aA&2Xe"UBiQ$6kmS;Y;/5tH59RN6"m[Mp=8]T4_6(fGKMEME4$`s^-Leins0li"!BIN$\W%]ef9Y5b[)?$bi:?iAkcI=pSqs/02(D%p=?]iU_=ul`O,9d[$(fn_1^a`G";#R8\MKt? )aQA+q%fhtf [B$_(>J(\JG0rFH=$[&[AEK@QcrM#m'=_RlWgcVu,nT%;UoZ=JK2A%QBKB7(>@-#j s'D#A=8KtT9g@W!Uh-Dp/`0ZkR0*DhWrFF;s4>Q`J*X4R=8b?FW+hBmdP/ejf.e2` [?GWd.! "p,?I!eeAo6aJ[IA2>WUc4'kL+ScY02*r3q UfV?HqV^n?SK7BQpZf_II]rXPeSk3\Fi/]D`uSc@[=+lthL_].J)>IOikPBhrV$3= Describes buildings that are inspired by the classical architecture: Ideology and Innovation, Austin, TX 2012. 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